Theatrical performance as a limit is able to change the context

Document Type : Original Article

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Abstract

Classical thought continued to dominate aspects of literature and 
the arts despite the many mutations and transfers from one school 
to another, and from one sect to another, but the general view of 
literature, criticism and the arts in general remained the same, and 
it was unable to control these trends and transform its path from 
these From the side to the opposite side, until ideas and premises 
appeared, the aim of which was to “develop new patterns of 
thinking and behavior based on the desire for reproduction, not 
reduction and unification, and in contrast, not in symmetry, and 
separation instead of communication, and in other words, 
different, multiple, diverse and dissimilar patterns arise. Identical, 
mobile, not fixed and stable () The main idea in establishing a new 
style in literature is the idea of deconstruction, as these concepts or 
philosophies must be dismantled in all their aspects and an attempt 
to reconstruct this deconstruction will give new meanings and 
concepts, diving into detail and measuring all distances and 
reconsideration In all agreed matters and trying to reformulate 
them in a new and innovative way, deconstruction depends in its 
formulation on the destruction of all idols that had a history in 
human thought, and therefore comprehensiveness and generality 
are among the most important characteristics Deconstruction is not 
a philosophy and a science, it is not a method, nor a theory, nor a 
doctrine.

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